Gesso Paintings Series
Year: 2020/22 - current
Material: plaster, pigments, wax finish, in wooden frame
These calm and delicate works of art are made of small squared plaster tiles that are molded over days and weeks; dried in the sun, then waxed and polished by hand, to make the surface of the tiles even smoother and softer, before being arranged on a "wooden canvas" to create a geometric composition. The small tiles have slightly varying heights, creating a light and vibrant movement on the surface of the artwork. The first works in pure white plaster were made in 2017. In 2020, Miriam Loellmann began using pigments and developed a technique for casting plaster so that it looks painted. This is why the artist refers to them as "gesso paintings“ (gesso = plaster in Portuguese).
Illusion and Is-ness Series
Year: 2018 - 2023
Materials: leather, metal, plaster, in wooden frame
Since 2018, Miriam Loellmann has been working on the "Illusion and Is-ness Series", using the visual language of optical illusion and kinetic expression to create tactile and visual contrasts by combining various materials. Through these works, the artist investigates as well as discovers the complexity and multifaceted nature of the mind, thoughts and our attachment to them; at the same time, she channels the simplicity and clarity of presence. The artworks consist of various plaster parts covered in deep-toned leather and metal pieces that interlock to form a vivid, geometric composition. The artist alters the metal surfaces by sanding and polishing to create interior forms - apparent portals or doors that allow the viewer to look into a formless space that moves and changes as one approaches. In contrast, pieces of colored leather make up the exterior form. These different textures - smooth and rough, soft and firm - combine to create a tactile prism of light and space. The works reveal something new, depending on the viewer’s perspective or the lighting condition under which they are presented.